perception concentrating on the phenomena the most outstanding - still regarding the complex as a whole - then focussing its attention on the more subtle details, visually as well as acoustically

originally intended as a box with four endless tapes, then as a picture - EP with endless loops

now as a picture - EP with fractal loops as soundtracks for pictures

• i formal: synthetic loop sequence, tibetan crashes
  time: past
  colour: orange
  abstract: output
• ii formal: feedbacks delayed at various speed
  time: presence
  colour: multicoloured
  abstract: input
• iii formal: cd loop, libyan tapes
  time: future
  colour: black
  concrete: technology
  abstract: death
• iv formal: samples vs. the immortalist
  time: always
  colour: white
  concrete: nature
  abstract: rebirth

the picture for "in statu nascendi i / ii" was drawn by sven franke
the picture for "in statu nascendi iii / iv" was drawn by mark wiedemann
love and respect to both of them

all sounds / effects / manipulations by sascha karminski
recorded between january and june 1994 e.v.
the libyan tapes recorded august 1995 e.v.
mixed at NOISE FACTORY 29th august 1995 e.v.

MAY ALL BEINGS BE HAPPY !